Helen Ede
How Helen and Jim met
Elisabeth Swan
Transcript
She was brought up in a very academic and musical family who had all been professors and ministers of religion way back and came from Germany. She went to one of the merchant company schools in Edinburgh and then she went to the Edinburgh art college and she had a lot of friends that she kept over the years from her art college days. It was there that Jim first sighted her because he was studying at the Slade and for some reason came to Edinburgh, I think, just temporarily and there is at the art school a beautiful sculpture gallery with a sort of balcony all the way round. Daddy was up in this gallery and spotted a beautiful girl down on the floor and, according to himself, is said to have decided at that moment, that this was the one that he wanted to marry. After that, they must have actually met and then there was a lot of correspondence during the Great War, so that's '14-'18, they wrote letters to each other while he was away, to begin with at the front and then in India convalescing.
Helen grinding coffee on the stairs, London 1920s
Mary Adams
Transcript
Another thing I remember the stairs for very well is that my mother used to sit on the second stair to grind the coffee, we had a coffee mill with a proper handle, or else to whip mayonnaise. She used to make egg mayonnaise with olive oil and egg and possibly lemon, I don't know. I used to sit on her lap, between her lap and the coffee mill, which was on her knee and so I must have been pretty small at that time and I used to just be fascinated to see this thing whizzing round and round. Her hand moved so fast that I couldn't see it, you know, it made a sort of fuzz. And I used to have a go with both my fat little fists and could hardly turn it at all. As to the mayonnaise, she always said no, she couldn't let me do it because if she were to stop stirring and anyone was to stir it in the wrong direction, it would curdle. Now she was reared in Edinburgh and she had a strong Scottish accent. She used to say it would curdle. So I was never allowed to do that. But I do remember very well sitting on her lap at the bottom of the stairs.
Jim writing Savage Messiah in 1931 and Helen's support
Elisabeth Swan
Transcript
I've got 1931 for Savage Messiah and when did Jim resign from the Tate? '36. So it was near the end of his time at the Tate that he was writing that book, which will have added to his burdens. Helen helped a great deal with the book. I mean, in every department, Jim always got a lot of common sense and encouragement from Helen although at the same time she sometimes... she got very fed up and hard pressed by the sort of things she was made to do and she must have been very exhausted and often longed for a more normal life and yet she knew he wouldn't be happy living a normal life. She was totally loyal but at the same time suffered a good deal.
Helen and Jim's relationship, the Great Waverley Wrench c.1937
Mary Adams
Transcript
They were very... obviously they were devoted to each other. They weren't well matched I wouldn't have said, at all. I think she had the thin end of the wedge, rather. I think she had quite a hard time throughout our childhood and growing up to the extent that she was compelled by him to leave her two children, aged 14 and 16 or something or even less, at a strange boarding school where they had never been just before a major world conflagration and go abroad and live in Africa. She had to do that and I think it broke her, really, it was... I remember very much... because I didn't feel the solemnity of this but she did and she was very distressed about it. Used to call it 'The Great Waverley Wrench' because it happened on Waverley station platform... Bye!... and she just thought, well that's the end of that. Nowadays, I don't think a woman would do it but in those days you had to follow your man.
Helen's love of nature
Mary Adams
Transcript
I had a very great deal in common with her. We shared a great love of nature and of country things and all that. She loved being a peasant and living in the country. Once I was married and we lived in the country, she loved coming down and picking up sticks for the fire and fiddling around, you know, gathering mushrooms and apples and things. She was herself. She sort of blossomed in that environment. She was wrongly placed, I think, in a town, city, arty kind of.. it wasn't her kind of thing at all, any of it. And she did, certainly at Kettle's Yard, she made it quite clear it wasn't her life, she wasn't taking part in it except to be there and support him and feed him and all that which she did perfectly. But it wasn't the way she wanted to live and her joy when she used to come and see us, because we were farming, at being just a sort of rustic kind of person was absolutely apparent.
A daughter's description of Helen's qualities
Elisabeth Swan
Transcript
I would say she was a very attractive person and people felt her warmth. I don't know what it was really. There was a peacefulness and a radiance about her, which wasn't the same as Jim. Jim had something infectious and warm and sparkling but Helen had, even when she was very frail, she had something very positive and so people tended to be very attracted to her. She did worry when Jim was worried and she did encourage him and I think in a way she wished he wouldn't be so single-minded about his schemes but she also knew that if he didn't pursue these sort of schemes he'd be very unhappy so she didn't want him to be unhappy. I think occasionally, yes, occasionally he may have given in and realised he'd been a bit too impulsive. I remember she often, in the later days of her marriage, spoke about old love and new love and how they were different. Yes, she had a lot of common sense, she didn't believe in hair-brained schemes, she had a lot of common sense, she laughed a lot, she looked good, she continued to look good and she was honest with people too, which they found refreshing. She had a marvelous Scots accent, Edinburgh accent, and she was an excellent cook.
Walking in Tangier, 1937/38, and Helen's love of literature
Elisabeth Swan
Transcript
Their house was up on the mountain and one got very fond of the scenery, I mean, it was really Mediterranean scenery with wonderful views of the sea. We went every evening for a walk round the back which was quite a rough walk and we'd go to the Mediterranean coast and Mummy was always quoting, 'Nobly, nobly Cape St Vincent to the North-west died away; sunset ran, one glorious blood red, reeking into Cadiz Bay'. You know, she came out with quotations at the drop of a hat. She was so familiar with English literature really and poetry. So we really loved those walks and then we often had a session of being read to from a nice book before we went to bed.
Helen - "I cannot put my knitting down anywhere"
Simon Barrington Ward
Transcript
I always remember Helen having a slightly sceptical attitude at times towards parts of the Kettle's Yard thing if she thought it was... and 'Och, of course, Jim is just so bent on it that I can't even put my knitting down anywhere' and so on. She felt this... the intensity of this could be a little bit much for her. She liked to prick it a bit, and yet in an extraordinary way, she also entered into it.
Helen standing up for herself
Mary Adams
Transcript
She dropped her knitting and he got up... the ball rolled across the room, he got up and in getting up, pulled something in his back or somewhere, you know, and staggered to the floor, fell over and bumped his knee and she said 'serves you right!', for no apparent reason, you know, she was quite able to stand up for herself. A lovely thing that I was reminded of the other day, when she was cooking and he was hovering around in the most irritating way over the gas cooker where she was and he said 'have you finished with this gas?' and she said 'No, I have not!' which was lovely so did know how to deal with him, you know, she kept him in his place.
Making artwork exploring Helen's role, part of residency in 1998
Anne Eggebert
Transcript
It was a tree with a bough that's at 90 degrees to the trunk so you can sit on it, it would make a great space to hang a swing but it looks into Helen Ede's room. Helen would shut the door on that space when visitors came. Most people didn't know Jim Ede was married. I like the idea of somehow being inside Kettle's Yard but being outside Kettle's Yard at the same time, being part of it but removed from it, and so looking back into her room with binoculars - I spent my 40th birthday doing that and it's one of those pieces of work, I wasn't quite sure why I was doing it at the time but now it seems really pertinent and poignant in many ways... Because I was occupying Helen's space, that question of trying to be invisible in the space, I think, was something I was thinking about even more so, and certain things, like we were told that he used to deliberately... that she used to deliberately annoy Jim by leaving her knitting around and that kind of thing so we tried to play off with some of those issues because I could imagine he would have been quite difficult to live with.






