1894
Helene (Helen) Schlapp is born on 9 January in Edinburgh. Her father was professor of German at Edinburgh University
1895
Harold Stanley ‘Jim’ Ede is born on 7 April in Penarth, near Cardiff.
Jim attends the Leys School, Cambridge. He leaves school early and goes to live in France for a year.
1910-14
Jim studies painting at Stanhope Forbes academy in Newlyn, Cornwall. He meets Helen in the spring of 1913, during a visit to the Edinburgh School of Art, where she is a student.
1914-19
Jim serves as an officer on the Western Front during the First World War. Having been wounded (and possibly suffering from shell-shock), he returns to Cambridge to recruit and train officer cadets at Trinity College. He is then posted to India for 18 months.
1919-21
Jim moves to London and studies at the Slade School of Art.
1921
Helen and Jim are married in January. In March Jim leaves the Slade to become Photographic Assistant at the National Gallery. Helen takes up the post of art teacher at King Alfred’s School, Hampstead. Their first daughter, Elisabeth, is born in November. After a number of moves they settle at 1 Elm Row, Hampstead bought for them by Jim’s father.
1922-36
Jim holds a curatorial post at the Tate Gallery and acts as Secretary to the Contemporary Art Society.
1924
Jim and Helen meet Ben and Winifred Nicholson and later, through them, Christopher Wood. David Jones also becomes a close friend. Their second daughter Mary is born in August.
1927
Jim purchases almost the entire output (including the correspondence) of the French sculptor Henri Gaudier-Brzeska.
1929
Jim begins corresponding with Alfred Wallis and buying his paintings.
1931
Jim writes a book entitled ‘Savage Messiah’ about the life of Henri Gaudier-Brzeska.
1936
Jim resigns from the Tate Gallery and the Contemporary Art Society. He and Helen begin spending part of the year in Tangier, where they commission a house designed by Jim, White Stone. Elisabeth and Mary accompany them for a year 1937-8 then return to Great Britain to a boarding school in Edinburgh.
1937-43
Accompanied by Helen, Jim travels frequently to the United States to give lectures on art.
1943-45
The Edes return to Britain. They are involved in educational activities in support of the war effort.
1945
Jim and Helen move permanently to Tangier. At White Stone they habitually entertain small groups of soldiers stationed at Gibraltar. At some stage Jim and Helen move to Cardiff and Hampstead for a short while.
1952
In April Jim and Helen move to Les Charlottières, a farmhouse near Blois, in the Loire Valley, France. Jim travels to the United States for his last lecture tour.
1956
The Edes move to Cambridge, in part because Helen has a pre-existing heart condition which is getting worse.
1957
With help from the architect Roland Aldridge, Jim renovates four dilapidated 19th century cottages, converting them into a single house. At the end of the year, the Edes’ new home, Kettle's Yard, is opened to university students every weekday afternoon during term.
1958
Jim resumes collecting and over the following years he befriends and acquires work by new artists, including Italo Valenti, George Kennethson and Elisabeth Vellacott.
1963
Duncan Robinson, in his second year at Clare College, meets Jim and Helen, the start of a long friendship with the Edes and an intense involvement with Kettle's Yard, which included curating exhibitions and, later, in his role as Director of the Fitzwilliam Museum, serving on the Kettle's Yard Committee until his retirement in 2007.
1966
Kettle's Yard is given to the University of Cambridge, with Jim staying as ‘honorary curator’.
Nicholas Serota and Richard Cork start visiting Kettle’s Yard as undergraduates at Cambridge.
1967
Jim is promoted to Chevalier de la Légion d’Honneur (having received the Légion d’Honneur in 1959) after further gifts of works by Henri Gaudier-Brzeska to French museums. Richard Hill goes to Magdalene College Cambridge to study architecture. Meets Jim that Autumn.
1968
Betty Thompson volunteers to greet and record student visitors to Kettle's Yard (and Jim provides tours). She had moved to Cambridge with her husband in 1966. She continues to work at Kettle's Yard until her retirement in 2006.
1970
On 5 May an extension to the house and a small gallery, designed by Sir Leslie Martin and David Owers, are opened by Prince Charles with a performance by Daniel Barenboim and Jacqueline du Pré. Betty Thompson moves from the house to running the new gallery.
1973
In June the Edes leave Cambridge for Edinburgh in a ground floor flat in Jordan Lane, Morningside. Jim begins visiting hospital patients at St Columba’s Hospice. Paul Clough is the first resident curator of Kettle's Yard.
1974
Roger Malbert is employed as an assistant curator, Diana Gordon is appointed to run the music programme.
1975
About this time Richard Barlow Poole takes over as secretary to the Kettle’s Yard Committee. Michael Tooby goes to Cambridge to study Archaeology, Anthropology and Art History. He later volunteers at Kettles Yard.
1977
Helen dies in February, aged 83. She wills that her body is left to medical science. Jeremy Lewison succeeds Paul Clough and lives at Kettle's Yard until 1980. He continues as curator until 1983.
1978
Eleanor Engle reads history of art and languages at the University of Cambridge, becomes a student helper at Kettle's Yard and helps organise talks.
1979
Michael Tooby appointed as assistant curator following Roger Malbert’s departure.
1981
The gallery is extended, including toilets and a kitchen (architects Sir Leslie Martin and Robert Weighton).
1983
Hilary Gresty appointed as assistant curator to Jeremy Lewison, becoming curator six months later (following Jeremy’s departure).
1984
Jim publishes ‘A Way of Life’.
1985
Betty Thompson leaves the gallery to become an invigilator. Jim has to move out of his flat in Jordans Lane and moves in with Elisabeth and Harold nearby.
1986
The gallery is extended a second time (architects Sir Leslie Martin and Ivor Richards).
1989
Hilary Gresty leaves Kettle’s Yard and is replaced by Anna Harding.
1990
Jim dies on 15 March, aged 94. He wills that his body is left for medical science. Tom Poster, aged 9, is recorded by the BBC playing the piano at Kettle’s Yard. He regularly plays here in concerts
1992
Michael Harrison appointed as Director.
1994
The gallery is extended a third time, including the double height space and the front gallery facing Castle Street (architects Bland, Brown & Cole).
1999
Artists in residence, Anne Eggebert and Julian Walker, ‘move in’ to Kettle's Yard for a week with their two-year-old son, leading to the work ‘Mr and Mrs Walker have moved’.
2001
Sebastiano Barassi starts at Kettle’s Yard as Curator of Collections
2007
Potter Edmund de Waal has a solo exhibition in the gallery with installations in the house. Edmund first discovered Kettle's Yard in 1981, while visiting his brother at University.






