invigilators
Visiting with only one staff member and invigilating in the mid 1970s
Mike Tooby
Transcript
You went past the person on the door and then you were on your own. Now, I do realise that... I mean, in retrospect, I gradually discovered that that was particular to that moment but, at the time, that was one of the great joys of it. The job of the person down at the door, I later discovered, was to establish that the person was welcome, sign the book, any routine things like, 'Would you like to leave a bag and a coat?' Later on we introduced a photo permit. The overwhelming impression was of it being quiet and free of people. You might meet one or two other people there. Quite often the people that one met would be people who, like me, would just find somewhere to sit and sit there, maybe read a book, maybe bring a book with them to sit and read. The invigilator down at the door might occasionally, if they felt confident, go up and have a walk around and see where whoever was in the house had got to, but of course if you did that you got too far away and you couldn't hear the bell. What worried one was that someone would turn away if the door wasn't opened straight away so you tended to stay by the door.
Invigilating c.1980, responding to the whole visual environment
Eleanor Engle
Transcript
You know, at the age 19, 20, it was really, I think it was probably very influential on me. The fact that, it wasn't just that it was pictures all over the wall, but it was that everything was, sort of, mixed in together. Lots of people said, 'Oh, it's so nice because it has such a peaceful atmosphere there', but I think for me, really, it was just that it was a... the whole thing was a whole visual environment. Visual language is not the thing in Cambridge and that's what I was pining for, that's what I wanted. Being in that environment, you know, having the excuse to be there for two hours on a Saturday to let people in, but really it was so that I could just soak in that whole... and look at, really just, not just soak in but actually look at all that whole visual environment - it's pebbles next to wild flowers next to Gaudier-Brzeska, a bit of thing, a bit of sculpture... I suppose because I sat on that table letting people in, that really sunk into me somewhere.






